Statement:
I hope
my paintings capture “ the feel of the rush of life.” I want to show what it is
like to be amongst horses in a great open country.
I paint
as a means of capturing and the blood and bone responses of the horse in images
of speed, freedom, alarm, curiosity and exuberance. In the horse’s alertness
and physicality I recognize our common nature and a manifestation of what in us
is often hidden and complicated.
I find
subjects at rodeos, the sporting show-biz remnants of a practical past. The
bucking horse paintings show an adrenaline-born moment when both horse and
rider are tapping into their primary resources. They are about hanging onto a
rough ride and getting a threat off your back. They are about strength, balance
and survival.
A
cowboy image refers to that forthright, self-reliant, frontier-broaching man
who kicked American progress into high gear. It refers to living close to the
rigors and rhythms of nature, a connection that has increasing value in a world
that is getting smaller with easy communication, travel and the pursuit, not of
“happiness”, but convenience. As
we are aware of the changes in the world, we are reminded also of our own deep
and instinctive nature.
The
critic John Berger says that that man looks at animals across an ”abyss of
non-comprehension “ and vise versa: we have parallel lives. He says the “animal
has secrets which, unlike the secrets of caves, mountains, seas, are
specifically addressed to man.”
Bio: